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Crucifixions and crucifixes have appeared in the arts and popular culture from before the era of the pagan Roman Empire.The crucifixion of Jesus has been depicted in a wide range of religious art since the 4th century CE, frequently including the appearance of mournful onlookers such as the Virgin Mary, Pontius Pilate, and angels, as well as antisemitic depictions portraying Jews as ...
Crucifix (Cimabue, Arezzo) Crucifix (Cimabue, Santa Croce) The Crucifixion (Cranach) Cristo de Chircales; Crucified Christ (Cosmè Tura) Crucifix of Pisa; Crucifixion (Tintoretto) Crucifixion (Titian) Crucifixion (1933) Crucifixion (Corpus Hypercubus) The Crucifixion (Margkazinis) The Crucifixion (Moskos) The Crucifixion (Paleokapas)
Strictly speaking, to be a crucifix, the cross must be three-dimensional, but this distinction is not always observed. An entire painting of the crucifixion of Jesus including a landscape background and other figures is not a crucifix either. Large crucifixes high across the central axis of a church are known by the Old English term rood.
The crucifixion of Jesus is one of the most illustrated events in human history.. For centuries, artists have reimagined it as a form of remembrance and as a means to convey the story of brutality ...
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The Crucifixion with Saint Mary Magdalene is a c. 1502–1505 painting in tempera on canvas by Luca Signorelli, now in the Uffizi in Florence. It is usually held to be a late autograph work. It is usually held to be a late autograph work.
Giotto's Crucifix at Santa Maria Novella is a cross painted in tempera and gold on wood panel (578 x 406 cm) by Giotto di Bondone around 1290-1295. The crucifix is preserved in the center of the nave of Florence's Santa Maria Novella basilica. It is one of the earliest known works by the artist, then in his early twenties.
The painting represents the allegorical victory of Christianity over Death (depicted as a skull) and Sin (depicted as a snake). It was formerly thought to have been painted around 1615, but more recent stylistic comparisons with similar Rubens works have indicated that it was more likely to have been painted slightly later, i.e. around 1618.