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The Real Book is a musicians' fake book – a compilation of lead sheets for jazz standards.Fake books had been around at least since the late 1920s, but their organization was haphazard, and their content did not always keep pace with contemporary musical styles.
The book features a range of jazz standards in alphabetical order, [2] from Broadway show tunes by the likes of George Gershwin and Irving Berlin, to the standards of esteemed jazz musicians such as Duke Ellington, John Coltrane, Miles Davis, Thelonious Monk, Wayne Shorter and Charles Mingus. In the book Gioia has recommendations for definitive ...
The NPR Curious Listener's Guide to Popular Standards. Penguin-Perigee Trade. ISBN 978-0-399-52744-9. Yagoda, Ben (2015). The B-Side: The Death of Tin Pan Alley and the Rebirth of the Great American Song. New York: Riverhead Books. ISBN 978-1-594-48849-8. Zinsser, William (2001). Easy to Remember: The Great American Songwriters and Their Songs ...
Jazz standards are musical compositions that are widely known, performed, and recorded by jazz artists as part of the genre's musical repertoire. This list includes tunes written in the 1940s that are considered standards by at least one major fake book publication or reference work.
There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. Songs included in major fake book publications (sheet music collections of popular tunes) and jazz reference works offer a rough guide to which songs are considered standards. Not all jazz standards were written by jazz composers.
Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes compositions written before 1920 that are considered standards by at least one major fake book publication or reference work.
As a popular jazz standard, the song is included in the first volume of the Real Book as well as the New Real Book. [2] [3] It appears as a love theme both in the 1932 film The Mummy (when it is played during the ball sequence where Helen is telepathically called to the museum), and in the film Hotel Continental, also 1932.
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.