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Burlesque on Ben-Hur, c. 1900. A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects. [1] The word derives from the Italian burlesco, which, in turn, is derived from the Italian burla – a joke, ridicule or mockery. [2] [3]
Burlesque theatre became popular around the beginning of the Victorian era.The word "burlesque" is derived from the Italian burla, which means "ridicule or mockery". [2] [3] According to the Grove Dictionary of Music and Musicians, Victorian burlesque was "related to and in part derived from pantomime and may be considered an extension of the introductory section of pantomime with the addition ...
Advertisement for a burlesque troupe, 1898 Souvenir programme for Ruy Blas and the Blasé Roué. American burlesque is a genre of variety show derived from elements of Victorian burlesque, music hall, and minstrel shows. Burlesque became popular in the United States in the late 1860s and slowly evolved to feature ribald comedy and female nudity.
Burlesque is a musical with a book by Steven Antin, including additional material by Kate Wetherhead, and music and lyrics by Christina Aguilera, Sia, Diane Warren, Todrick Hall, and Jess Folley. It is based on Antin's 2010 film of the same name and is produced by ADAMA Entertainment .
Sugar Babies is a musical revue conceived by Ralph G. Allen and Harry Rigby, with music by Jimmy McHugh, lyrics by Dorothy Fields and Al Dubin and various others. The show is a tribute to the old burlesque era. (The show's name is taken from one of many shows on the old Mutual Burlesque wheel of the Roaring Twenties.)
The Trocadero was a burlesque theater from the early 1900s until the 1970s. Burlesque performer Mara Gaye performed here in the 1950s. The Pennsylvania Opera Theater, in 1982, was presenting three productions a year at the Trocadero. [4] In 1986, the Trocadero was again remodeled for its current use as a concert hall and dance club.
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Ann Corio recalled in her 1968 book, This Was Burlesque, "Most people may imagine a burlesque company to consist of only a few strippers, a couple of comics and a straight man; but in the days of the Mutual Wheel, a burlesque company was as big—or bigger—than most touring Broadway musicals of today. This was a typical company of the day: a ...