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Her time as a Warner Bros. contract player during the 1930s was particularly productive. She was noted for her supporting work in successful films of the 1930s and 1940s such as Baby Face , Jezebel (1938) and Scarlet Street (1945) and her leading roles in lower-budgeted B movie films such as the Ellery Queen series at Columbia in the early 1940s.
One page that is dedicated to celebrating photography from history is Old-Time Photos on Facebook. This account shares digitized versions of photos from the late 1800s all the way up to the 1980s.
A teenager gets in trouble for vandalizing the Hollywood Sign and goes to work for his uncle's hot tub repair business rather than go to prison. The nephew falls in love with a secretary at his uncle's company, but risks losing her when caught in compromising situations while performing his duties as a hot tub repairman.
Leslie was born Joan Agnes Theresa Sadie Brodel, the youngest child in her family. Her father was a bank clerk. [1]Joan's two older sisters, Betty and Mary Brodel, shared their mother's musical interest and started to learn how to play instruments, such as the saxophone and the banjo, at an early age.
Born in New York City in 1902, Kelly was best known as a member of the Ziegfeld Follies and her radio hosting with Columbia Broadcasting. One of her best-remembered roles is that of Lt. Ethel Armstrong in the 1943 Paramount wartime drama So Proudly We Hail!.
She and Michael Chapin were the juvenile leads in four Westerns between 1951 and 1952, all of which were directed by Philip Ford. She played Judy Dawson. She played Judy Dawson. As a young adult she was the female lead in the 1957 Western film Escape from Red Rock .
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From the late 1930s through the early 1940s, Moore made 24 films for 20th Century Fox, with whom she was contracted. Her film debut came in Frankenstein (1931). [7] She later worked for Republic Pictures, starring in four Roy Rogers westerns, as well as the film King of the Texas Rangers in 1940, starring football great Sammy Baugh.