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Cogswell chair, [18] a brand of upholstered easy chairs. It has a sloping back and curved and ornamental front legs. The armrests are open underneath. Corner chair, made to fit into a corner and has a rectangular base with a high back on two adjacent sides; one sits with legs straddling a corner of the base; Corner chair by Charles Rohlfs
Davenport & Co. made the twin dining tables, 50 side chairs, 6 armchairs and 3 serving tables for the room. Many of the side chairs, now upholstered in ivory, are still in use. A. H. Davenport and Company was a late 19th-century, early 20th-century American furniture manufacturer, cabinetmaker, and interior decoration firm.
It was usually upholstered in leather fastened with gilded nails to the frame, had rounded angles, and one leg of the chair was placed in the front, another directly behind, for greater stability. The curved back and arms of the chair enveloped the person seated. [13] The passion for the oriental and exotic soon influenced the furniture.
[4] [5] The Queen Anne style began to evolve during the reign of William III of England (1689-1702), [6] but the term predominantly describes decorative styles from the mid-1720s to around 1760, although Queen Anne reigned earlier (1702-1714). [4] [7] "The name 'Queen Anne' was first applied to the style more than a century after it was ...
The chairs would have been 90 cm high, the seat and the back support would have been 45 cm (18 inches) high. The diameter of the back is 8 cm or 3 inches. The width of the seat is 70 cm (27 in), the depth of the seat is 50 cm (20 in). The legs were 5 cm by 5 cm (2 in by 2 in) or 10 cm by 5 cm (4 in by 2 in).
The design of the scallop shell back for chairs is associated with the designer Francis Cleyn who worked in England from the 1620s. [2] Settees were made at this time whose backs consisted of several just such immense scallops as those of these Holland House Gilt Chamber chairs; [ 3 ] and the same idea of decoration peeps out in fan-like frills ...