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The ChordPro (also known as Chord) format is a text-based markup language for representing chord charts by describing the position of chords in relation to the song's lyrics. ChordPro also provides markup to denote song sections (e.g., verse, chorus, bridge), song metadata (e.g., title, tempo, key), and generic annotations (i.e., notes to the ...
Songs that use the same harmony (chords) for the verse and chorus, such as the twelve bar blues, though the melody is different and the lyrics feature different verses and a repeated chorus, are in simple verse–chorus form. Examples include: "Shake, Rattle, and Roll" by Big Joe Turner (1954) [8]
Song structure is the arrangement of a song, [1] and is a part of the songwriting process. It is typically sectional, which uses repeating forms in songs.Common piece-level musical forms for vocal music include bar form, 32-bar form, verse–chorus form, ternary form, strophic form, and the 12-bar blues.
Porcelain image of John Barleycorn, c .1761. The first song to personify Barley was called Allan-a-Maut ('Alan of the malt'), a Scottish song written prior to 1568; [3]. Allan is also the subject of "Quhy Sowld Nocht Allane Honorit Be", a fifteenth or sixteenth century Scots poem included in the Bannatyne Manuscript of 1568 and 17th century English broadsides.
Bob Dylan also sings these lyrics in his upbeat version of "Gospel Plow." Carl Sandburg, in his 1927 book The American Songbag, [13] attributes these lyrics to yet another song entirely, "Mary Wore Three Links of Chain." Modern choral arrangements of this song sound entirely different from either the Eyes-Prize or Hand-Plow songs. [14]
“This is a song I actually sat and took the time to write,” says the 23-year-old, who came up with the sappy love-bomb ballad while driving home from his son’s mother’s house at seven in ...
The term "chord chart" can also describe a plain ASCII text, digital representation of a lyric sheet where chord symbols are placed above the syllables of the lyrics where the performer should change chords. [6] Continuing with the Amazing Grace example, a "chords over lyrics" version of the chord chart could be represented as follows:
"The Weary Blues" is written in free verse; however, all the lines that are not lyrics to the "Weary Blues" are rhyming couplets: "Down on Lenox Avenue the other night / By the pale dull pallor of an old gas light." Night and light rhyme just like tune-croon, key-melody, stool-fool and all the other couplets. The rhymes are not perfect, but ...