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The song's lyrical heroine, the Kupala Night Maiden is “weeding a rose, piercing her white hands” and “plucking flowers, weaving wreaths, and shedding tears”. [2] It is considered that the song has become “the national personification of Belarus as a country with a beautiful and sad woman’s face”. [1]
Ibu Pertiwi is a popular theme in Indonesian patriotic songs and poems and was mentioned in several of them, such as the song "Ibu Pertiwi" and "Indonesia Pusaka".In the national anthem "Indonesia Raya", the lyrics "Jadi pandu ibuku" ("[is] the scout/guide to my mother") is a reference to Ibu Pertiwi as the metaphorical mother of the Indonesian people. [2]
The ChordPro (also known as Chord) format is a text-based markup language for representing chord charts by describing the position of chords in relation to the song's lyrics. ChordPro also provides markup to denote song sections (e.g., verse, chorus, bridge), song metadata (e.g., title, tempo, key), and generic annotations (i.e., notes to the ...
It has inspired songs such as Rob Paravonian's "Pachelbel Rant" and the Axis of Awesome's "Four Chords", which comment on the number of popular songs borrowing the same tune or harmonic structure. [1] [2] "Four Chords" does not directly focus on the chords from Pachelbel's Canon, instead focusing on the I–V–vi–IV progression. [3]
A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement. Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition. The term comes from classical music and was first applied to jazz by ...
“This is a song I actually sat and took the time to write,” says the 23-year-old, who came up with the sappy love-bomb ballad while driving home from his son’s mother’s house at seven in ...
Songs which have been re-written by the same writer with different lyrics include: "Getting to Know You" (1951, from the musical The King and I, music originally composed by Richard Rodgers for the song "Suddenly Hungry and Sad," intended for the musical South Pacific (from two years earlier), in both instances with lyrics by Oscar Hammerstein II.
ESPN’s contract is with the SEC. Dan Lanning: “That’s how it works. Let’s not pretend it doesn’t work different than that.” Also, a message for three-loss teams whining and complaining ...