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Music was a normal part of social life in Mesopotamia [14] and was used in many secular contexts. [15] Music played important roles at funerals, [16] among royalty, [17] and was also depicted in relation to sports and sex. [18] Mesopotamian love songs, which represented a distinct genre of music, nevertheless shared features in common with ...
The Zame Hymns are the oldest known collection of Mesopotamian hymns, and have been dated to Early Dynastic IIIa period. [6] More precise dating is not possible. [5]Alongside compositions from Fara discovered in 1902 and 1903, the Zame Hymns have been described by Robert D. Biggs as "testimonies of the first great flowering of Sumerian literature". [7]
Copper figure of a bull from the Temple of Ninhursag, Tell al-'Ubaid, southern Iraq, around 2600 BCE. The Kesh temple hymn, Liturgy to Nintud, or Liturgy to Nintud on the creation of man and woman, is a Sumerian tablet, written on clay tablets as early as 2600 BCE. [1]
Ugarit, where the Hurrian songs were found. The complete song is one of about 36 such hymns in cuneiform writing, found on fragments of clay tablets excavated in the 1950s from the Royal Palace at Ugarit (present-day Ras Shamra, Syria), [5] in a stratum dating from the fourteenth century BC, [6] but is the only one surviving in substantially complete form.
The tablet contains a balbale (a kind of Sumerian poem) which is known by the titles "Bridegroom, Spend the Night in Our House Till Dawn" or "A Love Song of Shu-Suen (Shu-Suen B)". Composed of 29 lines, [ 5 ] this poem is a monologue directed to king Shu-Sin (ruled 1972–1964 BC, short chronology , or 2037–2029 BC, long chronology [ 4 ] ).
The Lament is 260 lines long, being composed of 12 kirugu (sections, songs) and 11 gišgigal (antiphons). [8] Numbered by kirugu, the lament is structured as follows: storm of Enlil (storm in Uruk) storm of Enlil (storm in Uruk) storm of Enlil (storm in Sumer) weeping goddess; the poet addresses Sumer; weeping goddess; the poet addresses Uruk
The Song of the hoe, sometimes also known as the Creation of the pickaxe or the Praise of the pickaxe, is a Sumerian creation myth, written on clay tablets from the last century of the 3rd millennium BCE.
Sumerian literature constitutes the earliest known corpus of recorded ... "Hymns and Songs", "Heterogenous Compositions" (including Wisdom literature), and ...