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French music history dates back to organum in the 10th century, followed by the Notre Dame School, an organum composition style. Troubadour songs of chivalry and courtly love were composed in the Occitan language between the 10th and 13th centuries, and the Trouvère poet-composers flourished in Northern France during this period.
Pages in category "French styles of music" The following 24 pages are in this category, out of 24 total. This list may not reflect recent changes. A. AllttA; Ars nova;
' French song ') is generally any lyric-driven French song. The term is most commonly used in English to refer either to the secular polyphonic French songs of late medieval and Renaissance music or to a specific style of French pop music which emerged in the 1950s and 1960s.
The epicenter of French music moved from Paris to Burgundy, as it followed the Burgundian School of composers. During the Baroque period, music was simplified and restricted due to Calvinist influence. The air de cour then became the primary style of French music, as it was secular and preferred by the royal court.
A music platform, Gracenote, listed more than 2000 music genres (included by those created by ordinary music lovers, who are not involved within the music industry, these being said to be part of a 'folksonomy', i.e. a taxonomy created by non-experts).
Musette – French dance with a moderate tempo, characterized by a pastoral melody often imitating the sound of a bagpipe. Passepied – Fast French court dance in binary form and triple meter, often included in late Baroque suites. Rigaudon – Lively French dance in duple meter, characterized by its bright rhythm and simple structure.
The first distinct French pop music styles that emerged were the French rock and the yé-yé, which originated in France during the 1960s. They were influenced by the American rock & roll of the 1950s. In the early days, this style of French pop music was easily distinguishable from the earlier category of French music called chanson in English ...
The French composer Boulez abandoned the entire tonal (key-centered) tradition of Western music with a style called Serialism. Other composers explored electronic music ( Stockhausen ); chance-based or random ( aleatoric ) music and indeterminacy ( Cage ); and minimalism ( Reich , Glass ).