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"Comfortably Numb" is a song by the English rock band Pink Floyd, released on their eleventh studio album, The Wall (1979). It was released as a single in 1980, with " Hey You " as the B-side . The music was composed by the band's guitarist, David Gilmour ; the lyrics were written by the bassist, Roger Waters , who recalled his experience of ...
It is a live recording of Pink Floyd's 1979 rock opera The Wall, captured during his solo tour of 2010–2013, The Wall Live. ... "Comfortably Numb" Gilmour, Waters:
The Wall Live was a worldwide [1] concert tour by Roger Waters, formerly of Pink Floyd. [2] [3] [4] The tour is the first time the Pink Floyd album The Wall has been performed in its entirety by the band or any of its former members since Waters performed the album live in Berlin 21 July 1990.
21. "Comfortably Numb" Van Morrison, Roger Waters, the Band, and the Rundfunk Orchestra & Choir: Guitar solos by Rick Di Fonzo and Snowy White 22. "In the Flesh" Roger Waters, Scorpions, and the Rundfunk Orchestra & Choir: 23. "Run Like Hell" Roger Waters and Scorpions 24. "Waiting for the Worms" Roger Waters, Scorpions and the Rundfunk ...
"Comfortably Numb" has its origins in Gilmour's debut solo album, and was the source of much argument between Waters and Gilmour. [25] Ezrin claimed that the song initially started life as "Roger's record, about Roger, for Roger", but he thought that it needed further work.
The album features Roger Waters performing the songs "Another Brick in the Atlantic Wall Part I, II & III" (the actual songs are "The Happiest Days of Our Lives", "Another Brick in the Wall (Part II)" and "The Ballad of Jean Charles de Menezes"), "Us and Them" and "Comfortably Numb" (with Eddie Vedder)
Måneskin's Damiano David Was Becoming 'Completely Numb' to Music. How He Recaptured the 'Fun' By Going Solo (Exclusive) ... 30-second spoken-word release. “And today is the first day of my life.”
He cited Gilmour's third solo in "Dogs" as "perhaps the finest in his entire career, a masterpiece of phrasing, spacing, tone and articulation", [94] and said the second solo in "Comfortably Numb" was "an utter master at work, leaving space, repeating and building on licks to give a sense of structure, not overplaying, building to a shrieking ...