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Double-headed eagle in Jiroft, Iran, 3rd millennium BC. The double-headed eagle is an iconographic symbol originating in the Bronze Age.The earliest predecessors of the symbol can be found in Mycenaean Greece and in the Ancient Near East, especially in Mesopotamian and Hittite iconography.
To differentiate them from mature eagles, alerions were shown as an eagle displayed inverted without a beak or claws (disarmed). To difference it from a decapitate (headless) eagle, the alerion has a bulb-shaped head with an eye staring towards the dexter (right-hand side) of the field. This was later simplified in modern heraldry as an ...
Matthew the man, Mark the lion, Luke the ox, and John the eagle. A tetramorph is a symbolic arrangement of four differing elements, or the combination of four disparate elements in one unit. The term is derived from the Greek tetra, meaning four, and morph, shape. The word comes from the Greek for "four forms" or "shapes". In English usage ...
“A flying eagle may be showing you that it’s time to rise to a higher perspective, to get beyond your own limited beliefs and thoughts and consider the issue at hand from other points of view ...
Mankind has been fascinated by the golden eagle as early as the beginning of recorded history. Most early-recorded cultures regarded the golden eagle with reverence. Only after the Industrial Revolution, when sport-hunting became widespread and commercial stock farming became internationally common, did humans started to widely regard golden eagles as a threat to their livelihoods.
The eagle has its head turned towards the olive branch, on its right side, to symbolize a preference for peace. [6] The primary official explanation of the symbolism of the great seal was given by Charles Thomson upon presenting the final design for adoption by Congress. He wrote:
Unlike words, which come in sequences and each of which have a definite meaning, art provides a range of forms, symbols and ideas with meanings that are malleable. Jupiter's eagle [as an example of art] is not, like logical (aesthetic) attributes of an object, the concept of the sublimity and majesty of creation, but rather something else ...
In large print and surrounding the eagle, there are golden letters with the legend "OCVLIS ET VNGVIBUS AEQVE VICTRIX", meaning "BY HER EYES AND GRIP EQUALLY VICTORIOUS". In 1821, Agustín de Iturbide, the first Emperor of Mexico, introduced a royal crown on the eagle as a symbol of his empire. The elements were drawn in a European style; the ...