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The Canadian Group of Painters succeeded the disbanded Group of Seven, whose modernist paintings of the Canadian north land had been a strong influence on Canadian art. [2] In the early 1930s, the Group of Seven's prominence had caused controversy as many believed that the National Gallery of Canada exhibited favouritism for their work [ 3 ...
The Group of Seven, once known as the Algonquin School, was a group of Canadian landscape painters from 1920 to 1933, with "a like vision". [1]
The following is an alphabetical list of professional Canadian painters, ... The Canadian Group of Painters and their contemporaries – 1930–1970 Toronto, ...
He enjoyed painting using watercolour and in 1925, along with Carmichael and F. H. Brigden, founded the Canadian Society of Painters in Water Colour. After Frank Johnston, a Group of Seven member, left the group in 1921, Casson seemed like an appropriate replacement. In 1926, he was informed by Carmichael that he had become a member of the ...
Lawren Stewart Harris CC LL. D. (October 23, 1885 – January 29, 1970) was a Canadian painter, best known as one of the founding members of the Group of Seven.He played a key role as a catalyst in Canadian art, as a visionary in Canadian landscape art and in the development of modern art in Canada.
The Beaver Hall Group refers to a Montreal-based group of Canadian painters who met in the late 1910s while studying art at a school run by the Art Association of Montreal. [1] The Group is notable for its equal inclusion of men and women artists, as well as for its embrace of Jazz Age modernism.
The following is a list of Canadian artists working in visual or plastic media (including 20th-century artists working in video art, performance art, or other types of new media). See other articles for information on Canadian literature, music, cinema and culture. For more specific information on the arts in Canada, see Canadian art.
Since the 1920s, artists in English Canada had been heavily influenced by the landscape painting of the Group of Seven, and the Canadian Group of Painters.The Canadian public often regarded modernist movements such as Cubism, Surrealism and Abstract Expressionism as bizarre and subversive.