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The Acropolis at Athens (1846) by Leo von Klenze.Athena's name probably comes from the name of the city of Athens. [4] [5]Athena is associated with the city of Athens. [4] [6] The name of the city in ancient Greek is Ἀθῆναι (Athȇnai), a plural toponym, designating the place where—according to myth—she presided over the Athenai, a sisterhood devoted to her worship. [5]
The name of Athens, connected to the name of its patron goddess Athena, originates from an earlier Pre-Greek language. [1] The origin myth explaining how Athens acquired this name through the legendary contest between Poseidon and Athena was described by Herodotus, [2] Apollodorus, [3] Ovid, Plutarch, [4] Pausanias and others.
In Greek and Roman mythology, Myrmex [a] (Ancient Greek: Μύρμηξ, romanized: Múrmēx, lit. 'ant' [1]) is a young maiden who became a favourite of the goddess Athena. Her story survives in the works of fifth-century AD Latin grammarian Maurus Servius Honoratus.
Her origin story in Greek mythology is also slightly ambiguous, with the Theogony claiming Nike to be the daughter of Styx and Pallas [10] while the Homeric Hymns describe Ares, the god of war, as being Nike's father. [11] Her Roman equivalent is the goddess Victoria.
The origin of the word "Parthenon" comes from the Greek word parthénos (παρθένος), meaning "maiden, girl" as well as "virgin, unmarried woman". The Liddell–Scott–Jones Greek–English Lexicon states that it may have referred to the "unmarried women's apartments" in a house, but that in the Parthenon it seems to have been used for a ...
The association between the owl and the goddess continued through Minerva in Roman mythology, although the latter sometimes simply adopts it as a sacred or favorite bird.. For example, in Ovid’s Metamorphoses, Corone the crow complains that her spot as the goddess' sacred bird is occupied by the owl, which in that particular story turns out to be Nyctimene, a cursed daughter of Epopeus, king ...
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.
In Greek mythology, Elaea (Ancient Greek: Ἐλαία, romanized: Elaia, lit. 'olive') is an Attic girl who won the favour of Athena thanks to her impressive athletic achievements and her beauty, and the envy of the other Atticans for the same reason. Her story shares many elements with that of Myrsine.