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The temptation of Christ is a biblical narrative detailed in the gospels of Matthew, [1] Mark, [2] and Luke. [3] After being baptized by John the Baptist, Jesus was tempted by the devil after 40 days and nights of fasting in the Judaean Desert.
The Mocking of Christ measures 25.8 cm × 20.3 cm × 1.2 cm (10.16 in × 7.99 in × 0.47 in) and depicts the mocking of Jesus prior to his crucifixion. [2] The work is painted with egg tempera on a gold leaf background, on a thinned and slightly bowed poplar panel prepared with layers of gesso ground in which a canvas is embedded.
The temptations that Jesus faced echoes the very temptations, even in the same order, that the Israelites experienced after the exodus from slavery in Egypt (Exodus 16, 17 and 19–32). [3] In the Gospel of Luke this temptation is the final one, and that is the ordering most commonly used by Christians.
It depicts Jesus Christ on the cross in a darkened sky floating over a body of water complete with a boat and fishermen. Although it is a depiction of the crucifixion, it is devoid of nails, blood, and a crown of thorns, because, according to Dalí, he was convinced by a dream that these features would mar his depiction of Christ. Also in a ...
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
Matthew 4 is the fourth chapter of the Gospel of Matthew in the New Testament of Christian Bible. [1] [2] Many translations of the gospel and biblical commentaries separate the first section of chapter 4 (verses 1-11, Matthew's account of the Temptation of Christ by the devil) from the remaining sections, which deal with Jesus' first public preaching and the gathering of his first disciples.
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The main light source is not evident in the painting but comes from the upper left; the lesser light source is the lantern held by the man at the right (believed to be a self-portrait of Caravaggio; also, presumably, representing St Peter, who would first betray Jesus by denying him, and then go on to bring the light of Christ to the world). At ...