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Rococo, less commonly Roccoco (/ r ə ˈ k oʊ k oʊ / rə-KOH-koh, US also / ˌ r oʊ k ə ˈ k oʊ / ROH-kə-KOH; French: or ⓘ), also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and trompe-l'œil frescoes to create surprise and ...
Rococo architecture, prevalent during the reign of Louis XV in France from 1715 to 1774, is an exceptionally ornamental and exuberant architectural style characterized by the use of rocaille motifs such as shells, curves, mascarons, arabesques, and other classical elements.
Rocaille was exuberant and inspired by nature like Rococo, but, unlike Rococo, it was usually symmetrical and not overloaded with decoration. It took its name from the mixture of rock, seashell and plaster that was used to create a picturesque effect in grottos during the Renaissance, and from the name of a seashell-shaped ornament which was frequent feature of Rocaille decoration. [7]
Unlike the rococo style, the ornament was usually restrained, symmetrical and balanced. In the early period of the style, the designs were often inspired by French versions of Chinese art, animals, especially monkeys ( Singerie ) and arabesques, or themes taken from works of the artists of the period, including Jean Bérain the Younger ...
Rococo painting represents the expression in painting of an aesthetic movement that flourished in Europe between the early and late 18th century, migrating to America and surviving in some regions until the mid-19th century. The painting of this movement is divided into two sharply differentiated camps.
In the late, second style of Louis XV, after 1750, the tables lost the rococo curves and took on classical (or imagined classical) details, including table legs in the form of Doric columns; griffon paws and lion paws on the feet;, trophies of arms, friezes, and figures of nymphs, tripods and horns of plenty.
Italian Rococo was mainly inspired by the rocaille or French Rococo, since France was the founding nation of that particular style. The styles of the Italian Rococo were very similar to those of France. The style in Italy was usually lighter and more feminine than Italian Baroque art, and became the more popular art form of the settecento.
Coiffure à l’Indépendance ou Le Triomphe de la Liberté, 1778, depicting a fashionable aristocratic woman is applying the finishing touches to her toilette [173] Originating in c.1720 Paris, Rococo is characterized by natural motifs, soft colours, curving lines, asymmetry and themes including love, nature and light-hearted entertainment ...