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Clapton asked Jim Marshall to produce a combo amplifier with tremolo, which would fit in the boot of his car, and one of the most famous Marshall amps was born, the "Bluesbreaker" amp. [7] This is the amplifier, in tandem with his 1960 Gibson Les Paul Standard (the "Beano"), that gave Clapton that famous tone on the John Mayall & the ...
The MG 15 was developed from the MG 30, which was designed by Rheinmetall using the locking system invented by Louis Stange in the mid to late 1920s. Though it shares the MG 15 designation with the earlier gun built by Bergmann, the MG 15nA (for neuer Art, meaning new model having been modified from an earlier design) has nothing in common with the World War II gun except the model number.
The M15 was based on the M3 half-track chassis, adding a coaxially mounted armament of a fully automatic M1 37 mm (1.5 in) gun and two superior-placed .50-caliber (12.7 mm) M2 Browning machine guns. [3]
The company was founded by James Hutchinson Mann, a native of Leeds. Mann had been apprenticed to J&H McLaren & Co. and also worked for Marshall, Sons & Co. of Gainsborough. In January 1894 he commenced a partnership with Sidney Charlesworth under the title Mann and Charlesworth, and their works was in Canning Street, off Dewsbury Road, Leeds.
The Marshall Bluesbreaker is the popular name given to the Models 1961 and 1962 guitar amplifiers made by Marshall from 1964/65 to 1972.. The Bluesbreaker, which derives its nickname from being used by Eric Clapton with John Mayall & The Bluesbreakers, is credited with delivering "the sound that launched British blues-rock in the mid-1960s."
The Bergmann gun used a lock system patented by Theodor Bergmann in 1901 along with the short recoil principle of operation. The locking system, in which a cam moves a lock vertically in the weapon, was not dissimilar to the Browning machine gun designs.