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"Fearless" is the third track on the 1971 album Meddle by Pink Floyd. [ 4 ] [ 5 ] It is a slow acoustic guitar-driven song written by David Gilmour and Roger Waters , and includes audio of football fans singing " You'll Never Walk Alone ".
The Wall is the eleventh studio album by the English rock band Pink Floyd, released on 30 November 1979 by Harvest/EMI and Columbia/CBS Records. It is a rock opera which explores Pink, a jaded rock star, as he constructs a psychological "wall" of social isolation.
Meddle is the sixth studio album by the English rock band Pink Floyd, released by Harvest Records on 5 November 1971 in the United Kingdom. [3] The album was produced between the band's touring commitments, from January to August 1971 at a series of locations around London, including EMI Studios (now Abbey Road Studios) and Morgan Studios.
The stage performances of The Wall ended with "Outside the Wall" after "The Trial", where the performers came walking over the stage in front of the now demolished wall, playing acoustic instruments and singing the vocal tracks. Waters played clarinet, and recited the lyrics, while the backing singers sang the lyrics in harmony.
"Another Brick in the Wall" is a three-part composition on Pink Floyd's 1979 album The Wall, written by the bassist, Roger Waters. "Part 2", a protest song against corporal punishment and rigid and abusive schooling, features a children's choir. At the suggestion of the producer, Bob Ezrin, Pink Floyd added elements of disco.
Pink Floyd would later receive an AOTY nod for "The Wall" (and lose to Christopher Cross, somehow), but the band's eighth studio album was entirely neglected, despite being one of the most ...
The original “Fearless” was released Aug. 28, 2008, and consisted of 58 minutes of music. The new version, which became the No. 1 seller in pop music on Amazon just five days after its release ...
The Wall was adapted into a film, Pink Floyd – The Wall. The film was conceived as a combination of live concert footage and animated scenes; however, the concert footage proved impractical to film. Alan Parker agreed to direct and took a different approach. The animated sequences remained, but scenes were acted by actors with no dialogue.