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Variations on a theme from the ballet of Salvatore Viganò Il noce di Benevento , music by Franz Xaver Süssmayr. First performed at a solo concert in La Scala on October 29, 1813. The audience was so impressed that they requested a repeat. [ 4 ]
The 24 Caprices for Solo Violin were written in groups (seven, five and twelve) by Niccolò Paganini between 1802 and 1817. They are also designated as M.S. 25 in Maria Rosa Moretti's and Anna Sorrento's Catalogo tematico delle musiche di Niccolò Paganini which was published in 1982.
Caprice No. 13, nicknamed Devil's Laughter or Devil's Chuckle, [1] is one of Niccolò Paganini's renowned 24 Caprices for Solo Violin. It is the only one of the suite that is in the key of B-flat major. [2] This solo violin piece starts out with scale-like double-stopped passages at a moderate speed.
Although the role of the violin in music drastically changed through this period, progress in violin technique was steady but slow. Much of Paganini's playing (and his violin composition) was influenced by two violinists, Pietro Locatelli (1693–1746) and August Duranowski (Auguste Frédéric Durand) (1770–1834).
Nine Variants on Paganini for Double Bass and Orchestra, also for Double Bass and Piano (2001). Paganini in Metropolis for Clarinet and Wind Symphony (2001), also for Clarinet and Orchestra (2002) Manuel Quiroga – 9 Variations on Paganini's Caprice No. 24, 12 Variations on Paganini's Caprice No. 24, both for violin and piano
Gary Kulesha: Variations on a Theme by Paganini (trumpet and piano; 1974, rev. 1982) Lowell Liebermann: Rhapsody on a Theme of Paganini for piano and orchestra (2001) Franz Liszt: Grandes études de Paganini No. 3 and No. 6 (piano; 1851), revised from the earlier Études d'exécution transcendante d'après Paganini of 1838