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Japanese calligraphy (書道, shodō), also called shūji (習字), is a form of calligraphy, or artistic writing, of the Japanese language. Written Japanese was originally based on Chinese characters only , but the advent of the hiragana and katakana Japanese syllabaries resulted in intrinsically Japanese calligraphy styles.
Decorative kakemono and ikebana in an onsen hotel. A kakemono (掛物, "hanging thing"), more commonly referred to as a kakejiku (掛軸, "hung scroll"), is a Japanese hanging scroll used to display and exhibit paintings and calligraphy inscriptions and designs mounted usually with silk fabric edges on a flexible backing, so that it can be rolled for storage.
Kakizome (書き初め, literally "first writing") is a Japanese term for the first calligraphy written at the beginning of a year, traditionally on January 2. Other terms include kissho ( 吉書 ), shihitsu ( 試筆 ) and hatsusuzuri ( 初硯 ).
Cursive script (Chinese: 草書, 草书, cǎoshū; Japanese: 草書体, sōshotai; Korean: 초서, choseo; Vietnamese: thảo thư), often referred to as grass script, is a script style used in Chinese and East Asian calligraphy. It is an umbrella term for the cursive variants of the clerical script and the regular script. [1]
Bokuseki (墨跡) is a Japanese term meaning "ink trace", and refers to a form of Japanese calligraphy and more specifically a style of zenga developed by Zen monks. Bokuseki is often characterized by bold, assertive, and often abstract brush strokes meant to demonstrate the calligrapher's pure state of mind (see Samadhi ).
Bokujinkai (墨人会, “People of the Ink,” est. 1952) is a Japanese calligraphy collective, research group, and exhibition society. It was founded by the calligraphers Shiryū Morita, Yūichi Inoue, Sōgen Eguchi, Yoshimichi Sekiya, and Bokushi Nakamura.
Performance calligraphy (書道パフォーマンス) is a kind of Japanese calligraphy combining traditional calligraphy with J-pop music and dance. [1] It is a team activity, performed on large canvases. [2] Performance calligraphy is gaining popularity amongst young Japanese, especially high-school students. [2]
These modifications set the foundation of Japanese-style calligraphy (Wayō 和様, as opposed to Chinese-style calligraphy or Karayō 唐様), which was later refined by other two masters, Fujiwara no Sukemasa and Fujiwara no Yukinari. Wayō was accredited and practiced, as a pure Japanese art form, until the mid-19th century.