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Byzantine art comprises the body of artistic products of the Eastern Roman Empire, [1] as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of western Rome and lasted until the Fall of Constantinople in 1453, [2] the start date of the Byzantine period is rather clearer in art history than in political history, if still ...
In Byzantine religious art, unlike the Classical Greek and Roman art that preceded it, symbolism became more important than realism. Instead of concentrating on making the most realistic images possible, mosaic artists of this time wanted to create idealized and sometimes exaggerated images of what existed inside the soul of a person.
Reverse perspective, also called inverse perspective, [1] inverted perspective, [2] divergent perspective, [3] [4] or Byzantine perspective, [5] is a form of perspective drawing where the objects depicted in a scene are placed between the projective point and the viewing plane.
Byzantine illuminated manuscripts were produced across the Byzantine Empire, some in monasteries but others in imperial or commercial workshops. Religious images or icons were made in Byzantine art in many different media: mosaics , paintings, small statues and illuminated manuscripts . [ 1 ]
The early Byzantine Empire continued to use the (single-headed) imperial eagle motif. The double-headed eagle appears only in the medieval period, by about the 10th century in Byzantine art, [7] but as an imperial emblem only much later, during the final century of the Palaiologos dynasty. In Western European sources, it appears as a Byzantine ...
The development of the Byzantine enamel art occurred between the 6th and 12th centuries. [1] The Byzantines perfected a form of enameling called cloisonné, where gold strips are soldered to a metal base plate making the outline of an image. The recessed spaces between the gold filigreed wire are then filled with a colored glass paste, or flux ...
This art had a larger impact in Europe, to which many artists probably returned after the collapse of the regime, influencing Italo-Byzantine painting there. The crusades were also important as a subject in Western art, mainly in illuminated luxury versions of the many histories that were popular reading with Western elites.
The Palaeologan Renaissance or Palaiologan Renaissance is the final period in the development of Byzantine art. Coinciding with the reign of the Palaiologoi , the last dynasty to rule the Byzantine Empire (1261–1453), it was an attempt to restore Byzantine self-confidence and cultural prestige after the empire had endured a long period of ...