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A parfleche is a type of wallet or bag made from rawhide. Historically made by Plateau, Great Basin, and Plains women, they are usually decorated with brightly colored geometrical designs. [1] A parfleche is a Native American rawhide container that is embellished by painting, incising, or both.
A bandolier bag is a Native American shoulder pouch, often beaded. Early examples were made from pelts, twined fabrics, or hide, but beginning in the fur trade era , Native American women stitched bags of imported wool broadcloth, lined with cotton calico and often edged with silk ribbons.
1935 drawing of a medicine bag. A medicine bag is usually a small pouch, worn by some Indigenous peoples of the Americas, that contains sacred items. A personal medicine bag may contain objects that symbolize personal well-being and tribal identity. [1] [2] Traditionally, medicine bags are worn under the clothing. [3]
A sacred bundle or a medicine bundle is a wrapped collection of sacred items, held by a designated carrier, used in Indigenous American ceremonial cultures. According to Patricia Deveraux, a member of the Blackfoot Confederacy in Alberta, "These are holy bundles given to us by the Creator to hold our people together... They're the same as the ...
Chancay culture tapestry featuring deer, 1000-1450 CE, Lombards Museum Nivaclé textile pouch, collection of the AMNH. The textile arts of the Indigenous peoples of the Americas are decorative, utilitarian, ceremonial, or conceptual artworks made from plant, animal, or synthetic fibers by Indigenous peoples of the Americas.
A pipe bag or tobacco bag is a common item used by some Native American ceremonial people. A pipe bag may be used to carry a sacred pipe , such as a Chanunpa . Styles
A Navajo-style cradleboard A Skolt Sámi mother with her child in a ǩiõtkâm. Cradleboards (Cheyenne: pâhoešestôtse, Northern Sami: gietkka, Skolt Sami: ǩiõtkâm, Inari Sami: kietkâm, Pite Sami: gietkam, Kazakh: бесік, Kyrgyz: бешік) are traditional protective baby-carriers used by many indigenous cultures in North America, throughout northern Scandinavia among the Sámi, and ...
Personalization by signing a piece of art violates the historic Zuni notion of community purpose, and the signing of artwork is a concept introduced to the Zuni by Anglo collectors at the beginning of the 20th century (c. 1915). Often, though, a Zuni carver feels that their own unique style is readily identifiable and the fetish's style will be ...