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Mother Mary with the Holy Child Jesus Christ, oil on canvas, 1913 [11] Samuel Morgenstern, an Austrian businessman and a business partner of the young Hitler in his Vienna period, bought many of Hitler's paintings. According to Morgenstern, Hitler came to him for the first time at the beginning of the 1910s, either in 1911 or in 1912.
The drawing is related to the painting W37. The Raising of the Cross. 1628-1629. Black chalk, heightened with white, framing lines in pencil and with the pen and brown ink. 19.3 x 14.8 cm. Museum Boijmans Van Beuningen, Rotterdam. The drawing is related to the painting W106. Two Sitting Figures. c. 1628-1629.
Paintings of the Virgin Mary. This category is being considered for renaming to Category:Paintings of Mary, mother of Jesus. This nomination is part of a discussion of several related categories. This does not mean that any of the pages in the category will be deleted. They may, however, be recategorized.
Lamentation of Christ. Lamentation by Giotto, 1305. The Lamentation of Christ[1] is a very common subject in Christian art from the High Middle Ages to the Baroque. [2] After Jesus was crucified, his body was removed from the cross and his friends mourned over his body. This event has been depicted by many different artists.
Mary has been one of the major subjects of Western art for centuries. There is an enormous quantity of Marian art in the Catholic Church, covering both devotional subjects such as the Virgin and Child and a range of narrative subjects from the Life of the Virgin, often arranged in cycles. Most medieval painters, and from the Reformation to ...
The drawing is the only extant larger-scale drawing by the artist. [3] The drawing depicts the Virgin Mary seated on the thigh of her mother, Saint Anne, while holding the Christ Child as Christ's young cousin, John the Baptist, stands to the right. It currently hangs in the National Gallery in London.
Madonna and Child by Filippo Lippi (15th century) In art, a Madonna (Italian: [maˈdɔnna]) is a representation of Mary, either alone or with her child Jesus. These images are central icons for both the Catholic and Orthodox churches. [1] The word is from Italian ma donna 'my lady' (archaic).
William Reskimer[5] c. 1532 – c. 1534. Black and coloured chalks, pen and ink, and metalpoint on pale pink prepared paper. 29.0 × 21.0 cm. William Reskimer held a number of minor positions at Henry VIII 's court. [5] The drawing is a study for a painted portrait by Holbein, also in the Royal Collection.