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In visual arts, music and other media, minimalism is an art movement that began in the post-war era in Western art. The movement is often interpreted as a reaction to abstract expressionism and modernism; it anticipated contemporary post-minimal art practices, which extend or reflect on minimalism's original objectives. [1]
Minimalism describes movements in various forms of art and design, especially Visual art and music, where the work is set out to expose the essence, essentials or identity of a subject through eliminating all non-essential forms, features or concepts. As a specific movement in the arts it is identified with developments in post–World War II ...
Minimalism was an art movement that began during the 1960s. This list of minimalist artists are primarily artists whose works were done in the 1960s, and are considered minimal, although some artists subsequently radically changed their work in the 1970s and in subsequent decades. This list is incomplete.
A portmanteau of "Japanese" and "Scandi," the movement is a fusion of the design principles of both regions–the the minimalism of Scandinavian design, and the use of natural materials and light ...
In the ever-evolving world of art and design, trends come and go with dizzying speed. For years, two seemingly opposite aesthetics have dominated the conversation: minimalism and maximalism.
"As an approach in photography, minimalism or minimalistic photography could be taken by the photographer in all genres. No matter if you are a portrait, architecture, landscape etc. photographer, minimalist photos are always an option as long as you have a minimal look toward your surroundings" -Milad Safabakhsh, Founder of Minimalist Photography Awards.
Donald Clarence Judd (June 3, 1928 – February 12, 1994) was an American artist associated with minimalism. [1] [2] In his work, Judd sought autonomy and clarity for the constructed object and the space created by it, ultimately achieving a rigorously democratic presentation without compositional hierarchy.
From the movement's inception, artists were incorporating into their work the latest technologies of the Southern California-based engineering and aerospace industries to develop sensuous, light-filled objects. [3] Turrell, who has spread the movement worldwide, summed up its philosophy in saying, "We eat light, drink it in through our skins." [4]