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The Isobarik, like the Sara and Kan that were developed in the 1970s and 80s, was designed to work best near room boundaries. [8] Manufacturer's leaflets advise positioning of the speaker close to a rear wall and approximately 2 to 3 feet (60 to 90 cm) from corners. [4] [7] The trade-off is the less than solid stereo image. [1]
The next speaker in the 604 line to be released was the 604B, with a slightly higher power handling at 30 watts and a better frequency response ranging from 30 Hz to 16 kHz. Also, this speaker had a lower crossover frequency of 1000 Hz. Following the 604B came the 604C.
Satisfactory output of the complete system comprising the audio crossover and the loudspeaker drivers in their enclosure(s) is the design goal. Such a goal is often achieved using non-ideal, asymmetric crossover filter characteristics. [5] Many different crossover types are used in audio, but they generally belong to one of the following classes.
Lipinski Sound Corporation was founded in 2003 in Bethesda, Maryland by Andrew Lipinski. [2] He is an audio engineer and producer of Polish origin, educated in Europe, based in the United States, and professionally active around the globe.
However, there is a type of crossover called the LR4 or LR2 crossover, which has certain unique features that make time-alignment worthwhile for speakers that use it. This particular crossover has the property that at the crossover frequency the electrical summing is flat (i.e., there is no peak or dip) and the signals being sent to the woofer ...
The LS3/5A is a commercially produced loudspeaker driven by the need of the BBC to monitor and assess broadcast programme quality. It was derived from the LS3/5, which was conceived and developed by the BBC Engineering Department in the early 1970s, when it was under the stewardship of Dudley Harwood. [2]