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The autograph score remains well preserved; it is stored in the British Library in London. [2] The Romance is given an individual header in the autograph, suggesting that it was the first movement to be composed and Mozart later expanded the work into a full concerto by adding the outer movements.
Sol nascente" (Score / Crit. report) "Misero me! ... Misero pargoletto" (Score / Crit. report) "O temerario Arbace! ... Per quel paterno amplesso" (Score / Crit. report) Aria (canzonetta) for voice and piano, transcription of an insertion aria sung by Luigi Marchesi with several texts in several operas.
Wolfgang Amadeus Mozart 's Horn Concerto No. 1 in D major, K. (412+514)/386b was written in 1791. The work is in two movements. Unusually, each movement received a distinct number in the first edition of the Köchel catalogue: The concerto is scored for solo horn in D, two oboes, two bassoons, and strings. This is one of two horn concertos of ...
The Köchel catalogue (German: Köchel-Verzeichnis) is a formerly chronological catalogue of compositions by Wolfgang Amadeus Mozart, originally created by Ludwig Ritter von Köchel, in which the entries are abbreviated K. or KV. Its numbers reflect the ongoing task of compiling the chronology of Mozart's works, and provide a shorthand ...
List of compositions by Wolfgang Amadeus Mozart. Wolfgang Amadeus Mozart (1756–1791) was a prolific composer who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms ...
The Piano Concerto No. 26 in D major, K. 537, was written by Wolfgang Amadeus Mozart and completed on 24 February 1788. It is generally known as the Coronation Concerto. The concerto is scored for solo piano, one flute, 2 oboes, 2 bassoons, 2 horns, 2 trumpets, timpani (in D, A), and strings. The autograph manuscript of the concerto is ...
Wolfgang Amadeus Mozart – Piano Sonata No. 11 in A major, K. 331: Rondo alla turca. Wolfgang Amadeus Mozart – The Magic Flute, K. 620: Overture. George Frideric Handel – The Messiah, HWV 56: Hallelujah Chorus. Edvard Grieg – Peer Gynt Suite No. 1, op. 46: In the Hall of the Mountain King. Gabriel Fauré – Pavane.
Further spurious and doubtful symphonies can be found at Mozart symphonies of spurious or doubtful authenticity. The symphonies K. 19b, 66c, 66d, 66e, Anh.C 11.07, and Anh.C 11.08 are lost, and it is uncertain whether they are Mozart's work: they have not been included in the list below. The symphony numbers in the range 42 to 56 are sometimes ...