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"Glory, Glory" (also known as "When I Lay My Burden Down", "Since I Laid My Burden Down", "Glory, Glory, Hallelujah" and other titles) is an American spiritual song, which has been recorded by many artists in a variety of genres, including folk, country, blues, rock, and gospel.
I hear music in the air (I hear music in the air) Up above my head (up above my head) I hear music in the air (I hear music in the air) I really do believe (I really do believe) There's a Heaven up there." Each additional verse is the same as the first, the word "music" replaced with another word (such as "singing," "shouting," et cetera).
"Stand by Me" is a 1905 gospel song by Charles Albert Tindley. [1] Despite the song's documented origins, it has sometimes been published without attribution or erroneously listed as "traditional". [2] [3] The song is sometimes referred to as "Stand by Me Father", leading to confusion with an unrelated song with that name by Sam Cooke and J. W ...
This Train", also known as "This Train Is Bound for Glory", is a traditional African-American gospel song first recorded in 1922. Although its origins are unknown, the song was relatively popular during the 1920s as a religious tune, and it became a gospel hit in the late 1930s for singer-guitarist Sister Rosetta Tharpe . [ 1 ]
"The Gospel Train (Get on Board)" is a traditional African-American spiritual first published in 1872 as one of the songs of the Fisk Jubilee Singers. [2] A standard Gospel song, it is found in the hymnals of many Protestant denominations and has been recorded by numerous artists. The first verse, including the chorus is as follows:
Mr. Dorsey can be seen telling this story in the 1982 gospel music documentary Say Amen, Somebody.) The earliest known recording was made on February 16, 1937, by the "Heavenly Gospel Singers" (Bluebird B6846). [7] "Take My Hand, Precious Lord" was first published in 1938. [8] "Take My Hand, Precious Lord" is published in more than 40 languages ...
The song's origins are uncertain; however, its nearest known relative is the English folk song "The Twelve Apostles." [2] Both songs are listed in the Roud Folk Song Index as #133. Parallel features in the two songs' cumulative structure and lyrics (cumulating to 12 loosely biblical references) make this connection apparent.
Church musicians began playing different soul and blues music-inspired chords, chord progressions, and musical riffs on pianos and Hammond organs. These were improvised to imitate the voices of the preachers and the calls-and-responses of the congregations because it audibly sounded almost as if the preachers and congregations were singing.