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Regulating Lines is a design concept in architecture, which uses proportions of geometry in buildings giving its harmony and order. [1] A prominent architect who espoused this concept was Le Corbusier .
One of the best-known examples is the crypto-porticus under the palaces of the Caesars in Rome. In Hadrian's Villa in Rome they formed the principal private intercommunication between the several buildings. [20] Cuneus A wedge-shaped division of the Roman theatre separated by the scalae or stairways. [21] This shape also occurred in medieval ...
In geometry, a straight line, usually abbreviated line, is an infinitely long object with no width, depth, or curvature, an idealization of such physical objects as a straightedge, a taut string, or a ray of light. Lines are spaces of dimension one, which may be embedded in spaces of dimension two, three, or higher.
Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. [3] It is both the process and the product of sketching, conceiving, [4] planning, designing, and constructing buildings or other structures. [5]
The line of thrust is the locus of the points, through which forces pass in a retaining wall or an arch. It is the line, along which internal forces flow, [1] , [2] . In a stone structure , the line of thrust is a theoretical line that through the structure represents the path of the resultants of the compressive forces , [3] .
A ruled surface can be described as the set of points swept by a moving straight line. For example, a cone is formed by keeping one point of a line fixed whilst moving another point along a circle. A surface is doubly ruled if through every one of its points there are two distinct lines that lie on the surface.
The not-so-humble Lizzie line nabbed the Riba Stirling Prize, an annual tip-of-the-cap for architecture bestowed upon the best building in the UK. The “best building in the UK” – their words ...
Historically, multiple approaches were suggested to address the reflection of the structure in the appearance of the architectural form. In the 19th-century Germany, Karl Friedrich Schinkel suggested that the structural elements shall remain visible in the forms to create a satisfying feeling of strength and security, [3] while Karl Bötticher as part of his "tectonics" suggested splitting the ...