Search results
Results From The WOW.Com Content Network
The Baptism of the Eunuch is a 1626 painting by the Dutch artist Rembrandt van Rijn, owned by the Museum Catharijneconvent in Utrecht since 1976. It shows Philip the Evangelist baptising an Ethiopian man, a eunuch, on the road from Jerusalem to Gaza, traditionally marking the start of the Ethiopian Church (Acts 8:26–39).
The white horse The oeuvre of Pieter (1623–1682) clearly manifests the influence of Philips with regard to the range of subjects, but regarding the artistic style, Pieter had quite one of his own. And Jan (1629–1666) was a rather autonomous landscape painter.
Ethiopian" was a Greek term for black-skinned peoples generally, often applied to Kush (which was well known to the Hebrews and often mentioned in the Hebrew Bible). The eunuch was not from the land today known as Ethiopia, which corresponds to the ancient Kingdom of Aksum , which conquered Kush in the fourth century.
He preached and performed miracles in Samaria, and met and baptised an Ethiopian man, a eunuch, on the road from Jerusalem to Gaza, traditionally marking the start of the Ethiopian Church (Acts 8:26–39). Later, Philip lived in Caesarea Maritima with his four daughters who prophesied, where he was visited by Paul the Apostle (Acts 21:8–9).
Philip II of Spain has inspired artistic and cultural works for over four centuries, as the most powerful ruler in the Europe of his day, and subsequently a central figure in the "Black Legend" of Spanish power. The following list covers representations of him in drama, opera, film, novels, and verse.
The rock-cut Church of Saint George, Lalibela (Biete Ghiogis) Ethiopian painting decepting Tekle Haymanot of Gojjam and his armies. Prehistoric rock art comparable to that of other African sites survives in a number of places, and until the arrival of Christianity stone stelae, often carved with simple reliefs, were erected as grave-markers and for other purposes in many regions; Tiya is one ...
Rivera used tonal variations in the black and white Zapata to similar effect as he did color in the painted murals he used as its source material. In the lithograph, the lightest areas in Zapata's white clothing and the white body of the horse he leads are sharply delineated against the dark background and the mid tones of the clothing of ...
The Equestrian Portrait of Philip IV was a portrait of Philip IV of Spain on horseback, painted by Diego Velázquez in 1635–36 as part of a series of equestrian portraits for the Hall of Realms, originally a wing of the Buen Retiro Palace in Madrid (a series that also included that of Philip's son prince Balthasar Charles).