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A DJ scratching a record. Scratching, sometimes referred to as scrubbing, is a DJ and turntablist technique of moving a vinyl record back and forth on a turntable to produce percussive or rhythmic sounds. A crossfader on a DJ mixer may be used to fade between two records simultaneously.
It was invented by DJ Jazzy Jeff. The scratch is somewhat difficult to perform because it takes a good amount of coordination. The scratch starts out with the cross-fader open. The DJ then moves the record forward while simultaneously closing the previously opened channel ending the first sound. Then, in a reverse fashion, the DJ opens the ...
Theodore Livingston (born March 5, 1963), better known as Grand Wizzard Theodore, is an American musician and DJ. He is widely credited as the inventor of the scratching technique. [1] [2] In addition to scratching, he gained credibility for his mastery of needle drops and other techniques which he invented or perfected.
Joseph Robert Saddler (born January 1, 1958), known by his stage name Grandmaster Flash, is an American musician and DJ. He created a DJ technique called the Quick Mix Theory. [3] [4] This technique serviced the break-dancer and the rapper by elongating the drum breaks through the use of duplicate copies of vinyl. This technique gave birth to ...
Scratch is a 2001 documentary film, directed and edited by Doug Pray. [1] The film explores the world of the hip-hop DJ from the birth of hip-hop when pioneering DJs began extending breaks on records, to the invention of scratching and beat juggling, to the more recent explosion of turntablism. Throughout the documentary, many artists explain ...
In a recording context, this refers to a rough "scratch track", which is the recording of a rhythm section part or vocals which is done to provide a temporary reference point for the performers who will be recording their parts (the "scratch track" is erased later on; in the context of hip-hop music and turntablism, "scratching" refers to the ...
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"[DJ Screw] strung together rap singles and vocals from local and other artists, all of which he manipulated and persuaded to slow down the beat to a crawl and the vocals to a torpid drawl. He also chopped up the lyrics to create new meanings, warped and filtered the voices and added his own exhortations to the music's regional audience, mostly ...