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Prior to its release, advertisements were placed in the personal columns of regional newspapers in the UK with the words "Your own personal Jesus." Later, the ads included a phone number one could dial to hear the song. [11] The ensuing controversy helped propel the single to No. 13 on the UK charts, becoming one of Depeche Mode's biggest sellers.
In Season 1, Episode 11 of Scrubs titled "My Own Personal Jesus," the song is playing in the background towards the end of the episode as Turk runs to save a woman who is giving birth in a park. The song is also used in season 1, episode 7 of “Person of Interest”.
A new remix of "Personal Jesus" by Stargate, entitled "Personal Jesus 2011", was released as a single on 30 May 2011, in support of the compilation. Depeche Mode contributed their cover of the U2 song "So Cruel" to the tribute album AHK-toong BAY-bi Covered honouring the 20th anniversary of Achtung Baby, a 1991 album by U2.
Doris Mae Akers (May 21, 1923 – July 26, 1995) [1] was an American gospel music composer, arranger and singer who is considered to be "one of the most underrated gospel composers of the 20th century [who] wrote more than 500 songs". [2]
Redman was born on 14 February 1974, [7] and raised in Watford, England.The family had moved to Chorleywood, a small commuter town, when he was around the age of two. [8] His father took his own life when Matt was seven years old, [9] and he and his brother were raised predominantly by his mother. [10]
Both during and after Mullins' college years, Beaker was a substantial influence on Mullins and his music. Beaker co-wrote, performed, and toured with Mullins for several years. The first song they wrote together was "Boy Like Me, Man Like You", a 1991 hit for Mullins. Mullins wrote his hit song "Let Mercy Lead" for Beaker's son Aidan.
Image credits: famous_unicorn #5. Not the biggest, but: Molotov said he wasn't bombing Finland, he was bringing them food. In actuality, he was bombing them. Finns got cheeky and called the bombs ...
Stephen Thomas Erlewine made note of "Your Own Special Way", calling it "the poppiest tune the group had cut and also the first that could qualify as a love song". His reaction to Wind & Wuthering as a whole was mild, and he summarised it as being in "the same English eccentric ground that was the group's stock in trade since Trespass ". [ 38 ]