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"Lean on Me" is a song written and recorded by American singer-songwriter Bill Withers. It was released in April 1972 as the first single from his second album, Still Bill . It was a number one single on both the soul and Billboard Hot 100 charts, the latter chart for three weeks in July 1972. [ 2 ]
"Lean on Me" is a song by American DJ trio Cheat Codes featuring American singer Tinashe. It was released on May 6, 2021, as the ninth single from their debut studio album Hellraisers, Pt. 1. It was written by Ivy Adara, Adam Halliday, Tinashe, B HAM, Trevor Dahl and Ryan Ogren, who also produced with the last three and Prince Fox. [2]
The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.
"Lean on Me", an Amazon Original remake of the above, by Old Dominion "Lean on Me" (Cheat Codes song), 2021 "Lean on Me" (Kirk Franklin song), 1998
"Lean on Me" is a song by American gospel artist Kirk Franklin. Released in 1998, the song greatly helped ascend Kirk Franklin's album The Nu Nation Project. [1] The Nu Nation Project went on to top the Billboard Contemporary Christian Albums chart for 23 weeks and the Billboard Gospel Albums chart for 49 weeks, and brought Franklin his third Grammy.
Mark Harper – lead guitar, acoustic guitar; Jerome Harmon – organ; Len Barrett – percussion; Erick J. Morgan – live drums; Dan Shea – piano, keyboards and rhythm programming on "Lean On Me" Nathan East – bass on "Lean On Me" Michael Landau – guitar On "Lean On Me" Ricky Lawson – drums on "Lean On Me" Jeremy Haynes – live drums ...
You were already working with Ed on his solo album in the summer of 2021, and at some point, he says, ‘I want to call the Pearl Jam guys and ask them to come down.’
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...