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A single eighth note is always stemmed with a flag, while two or more are usually beamed in groups [4] in instrumental music. In Unicode, the symbol U+266A (♪) is a single eighth note and U+266B (♫) is a beamed pair of eighth notes.
His later work, the Fantasia and Fugue in C minor, BWV 537, also uses the same mostly 8th note texture, is written in the same time signature, features a similar texture, and responds well to the application of long–short notes inégales to the evenly notated 8th notes, and short–long to the slurred 8th note pairs, also typical and ...
Only eighth notes (quavers) or shorter can be beamed. The number of beams is equal to the number of flags that would be present on an unbeamed note. Beaming refers to the conventions and use of beams. A primary beam connects a note group unbroken, while a secondary beam is interrupted or partially broken.
8 (six beats per bar, with each beat being an eighth note) and 12 8 (twelve beats per bar, with each beat being an eighth note; in practice, the eighth notes are typically put into four groups of three eighth notes. 12 8 is a compound time type of time signature). Many other time signatures exist, such as 2 2 or 3 8.
In music, an octave (Latin: octavus: eighth) or perfect octave (sometimes called the diapason) [2] is a series of eight notes occupying the interval between (and including) two notes, one having twice the frequency of vibration of the other. The octave relationship is a natural phenomenon that has been referred to as the "basic miracle of music ...
The half steps are E–F (the third to the fourth note) and B–C (the seventh to the recurring first note, often called the eighth note). In music theory a diatonic scale is a heptatonic (seven-note) scale that includes five whole steps (whole tones) and two half steps (semitones) in each octave, in which the two half steps are separated from ...
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A single eighth note, or any faster note, is always stemmed with flags, while two or more are usually beamed in groups. [16] When a stem is present, it can go either up (from the right side of the note head) or down (from the left side), except in the cases of the longa or maxima which are nearly always written with downward stems.