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For positive and print stocks, "35" indicates 35 mm print film, and "36" indicates 16 mm print film. Fuji also introduced their Reala film, a color stock with a fourth color emulsion layer, which is also the fastest daylight balanced color motion picture stock ever offered at 500 ISO.
(A) Human-readable Keykode number (the number to the far right advances by one for each 16 frames of 35 mm film or 20 frames of 16 mm film). Next to that is the same information in USS-128 Barcode machine-readable language. (B) Further down the film (within the 16 frames) is the film identifier information and date symbol (C) Other-use symbols.
The variant called Super 16 mm, Super 16, or 16 mm Type W is an adaptation of the 1.66 (1.66:1 or 15:9) aspect ratio of the "Paramount format" [8] to 16 mm film. It was developed by Swedish cinematographer Rune Ericson in 1969, [ 9 ] using single-sprocket film and taking advantage of the extra room for an expanded picture area of 12.52 mm × 7. ...
A silent home movie on 16mm black-and-white reversal double-perforation film stock. Agfa began to produce motion picture film in 1913, but remained a largely local supplier until World War I boycotts of popular French, American and Italian film stocks allowed the UFA film studio to flourish, boosting Agfa's
Minolta, 16 mm stock, originally double perforated (single perforated or unperforated film could be loaded), later single perf to allow larger 13 × 17 mm image ^ Unless otherwise noted, all formats were introduced by Kodak , which began allocating the number series in 1913.
Print: Panchromatic film with medium to low grain and high resolving power. Same as FPP Cine 16mm BW 100 film emulsion.? 135–24, 120, 620 FPP: Frankenstein: available: T: 200: B&W: Print: Medium speed, medium grain panchromatic film with great tonal range. Same as FPP Cine 16mm BW film emulsion.? 135–24, 120, 620, 4x5 FPP: Let It Snow ...
The original camera negative (OCN) is the film in a traditional film-based movie camera which captures the original image. This is the film from which all other copies will be made. It is known as raw stock prior to exposure. The size of a roll varies depending on the film gauge and whether or not a new roll, re-can, or short end was used. One ...
Producers Library was founded in 1957, when the "librarians at —RKO and MGM—decided to form their own company". [5]The archival footage from Producers Library has been used in major Hollywood feature films such as the intro to L.A. Confidential, [6] [7] where their stock footage shots of Los Angeles in the 1950s transport the viewer to the time period in which the film takes place.