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For subdominant chords, in the key of C major, in the chord progression C major/F major/G7/C major (a simple I /IV/V7/I progression), the notes of the subdominant chord, F major, are "F, A, and C". As such, a performer or arranger who wished to add variety to the song could try using a chord substitution for a repetition of this progression.
Chord substitution (6 P, 3 F) D. Dominant chords (6 P) E. Extended chords (2 C, 4 P) G. Guitar chords (6 P) S. ... Media in category "Chords" The following 13 files ...
Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord ...
Upload file; Search. Search. Appearance. Donate; ... I–V–vi–IV chord progression in C ... ii–V–I progression: ii–V–I: 3: Major ii–V–I with tritone ...
A tritone substitution is the substitution of one dominant seventh chord (possibly altered or extended) with another that is three whole steps (a tritone) from the original chord. In other words, tritone substitution involves replacing V 7 with ♭ II 7 [7] (which could also be called ♭ V 7 /V, subV 7, [7] or V 7 / ♭ V [7]).
The following 3 files are in this category, out of 3 total. Tritone substitution April in Paris mm.11-12.mid 4.8 s; 221 bytes Tritone substitution April in Paris mm.11-12.png 354 × 282; 13 KB
One of the most common techniques in jazz reharmonization is the use of substitute chords, through a technique known as tritone substitution. In tritone substitution, a dominant chord is replaced by another dominant chord a tritone above its tonic. This technique is based on the fact that the third and seventh degrees of a dominant chord are ...
"What Is This Thing Called Love") the standard substitution is implied over an ostinato bass pattern with no chordal instrument instructed to play the chord changes. When Coltrane's improvisation superimposes this progression over the ostinato bass, it is easy to hear how he used this concept for his more free playing in later years.