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The Curse of the Cat People is a 1944 American psychological supernatural thriller film [1] [2] [3] directed by Gunther von Fritsch and Robert Wise, produced by Val Lewton, and starring Simone Simon, Kent Smith, Jane Randolph, and Ann Carter.
Cat People is a 1942 American supernatural horror film directed by Jacques Tourneur and produced for RKO by Val Lewton.The film tells the story of Irena Dubrovna, a newly married Serbian fashion illustrator obsessed with the idea that she is descended from an ancient tribe of Cat People who metamorphose into black panthers when aroused.
In 1942, RKO picked up the contract of the poised actress and she received a leading lady role in Highways by Night (1942). She became known for her roles in film noir, which included Jealousy (1945) and Railroaded! (1947), and in two of Val Lewton's now well regarded B-picture horror films, Cat People (1942) and The Curse of the Cat People (1944
Simone Thérèse Fernande Simon (23 April 1910 or 1911 [1] – 22 February 2005) was a French film actress who began her film career in 1931. She is perhaps best remembered for her role in the American horror film Cat People, and its sequel The Curse of the Cat People.
Hoping to present a viable alternative to the Universal juggernaut, RKO decided to embark on a series of its own horror films, starting with Cat People in 1942. Led by producer Val Lewton and director Jacques Tourneur, this critically acclaimed series focused less on visible horrors and more on the psychological aspects of fear. [3]
In interviews with Cosmo, the film's director, Susanna Fogel, and original story writer, Kristen Roupenian, weigh in on whether Robert actually redeems himself by the time the credits roll.
Lewton's first production was Cat People, released in 1942. The film was directed by Jacques Tourneur, who subsequently also directed I Walked With a Zombie and The Leopard Man for Lewton. Made for US$134,000, the film went on to earn nearly US$4 million and was the top moneymaker for RKO that year.
The movie expands the premise to create fuel a feature-length film. Many lines of the script are taken directly from the story itself, crafted by screenwriter Michelle Ashford.