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The music was a mixture of late 1940s lounge jazz and film music underpinned by Hoffman’s otherworldly theremin playing. According to the liner notes: "Harry Revel created the basic "idea" and themes while Leslie Baxter, conductor and arranger, has given them appropriately unique tone color, using mass harmonies of human voices as well as unusual instrumental effects with woodwinds, strings ...
Chopin composed his best-known Nocturne in E ♭ major, Op. 9, No. 2 when he was around twenty years old. This well-known nocturne is in rounded binary form (A, A, B, A, B, A) with coda, C. It is 34 measures long and written in 12 8 meter, having a similar structure to a waltz. The A and B sections become increasingly ornamented with each ...
The Nocturne No. 20 in C ♯ minor, Op. posth., Lento con gran espressione, P 1, No. 16, KKIVa/16, WN 37, is a solo piano piece composed by Frédéric Chopin in 1830 and published in 1875. Chopin dedicated this work to his older sister Ludwika Chopin , with the statement: "To my sister Ludwika as an exercise before beginning the study of my ...
The Nocturne in E minor, Op. posth. 72 No. 1, WN 23, was composed by Frédéric Chopin for solo piano in 1826. [1] It was Chopin's first composed nocturne , although it was the nineteenth to be published, in 1855, along with two other early works: a funeral march in C minor and three écossaises.
The Nocturne in A-flat major is initially marked as lento and in 4 4 meter. It is structured in an A–B–B′–A′ format and features a melodic and bright main melodic theme in the A section, with a turbulent and dramatic theme in the B sections. In measure 27, the A section transitions into the B section, as the meter switches to 12
Nocturne in E-flat major, Op. 55, No. 2. The second nocturne in E ♭ major features a 12 8 time signature, triplet quavers in the bass, and a lento sostenuto tempo marking. The left-hand features sweeping legato arpeggios from the bass to the tenor, while the right-hand often plays a contrapuntal duet and a soaring single melody.