Ad
related to: why did liszt write liebestraum
Search results
Results From The WOW.Com Content Network
Liebesträume (German for Dreams of Love) is a set of three solo piano nocturnes (S.541/R.211) by Franz Liszt published in 1850. [1] Originally the three Liebesträume were conceived as lieder after poems by Ludwig Uhland and Ferdinand Freiligrath. In 1850 two versions appeared simultaneously as a set of songs for high voice and piano, and as ...
[7] [failed verification] Liszt kept the étude in his repertoire until his final years. Un sospiro consists of a flowing background superimposed by a simple melody written in the third staff. This third staff—an additional treble staff—is written with the direction to the performer that notes with the stem up are for the right hand and ...
The third volume should have included the song "O lieb so lang du lieben kannst", of which Liszt's piano transcription is famous and well known as the third "Liebestraum". But Liszt had to change his plan.
Franz Liszt, after a painting of 1856, by Wilhelm von Kaulbach. Hungarian Romantic composer Franz Liszt (1811–1886) was especially prolific, composing more than 700 works. A virtuoso pianist himself, much of his output is dedicated to solo works for the instrument and is particularly technically demanding.
In Russia, Liszt meets the beautiful Princess Carolyne, they fall in love, and she soon leaves her husband for Liszt. She becomes a muse and inspiration for Liszt, and his last and strongest love. Inspired by his love for Carolyne, Liszt creates the most beautiful romantic piano composition, " Liebestraum " (also known as "Dream of Love ...
Liebestraum means "love dream", or "dream of love" in German. Liebesträume, for piano by Franz Liszt; Liebestraum, 1991 movie by Mike Figgis This ...
Franz Liszt [n 1] (22 October 1811 – 31 July 1886) was a Hungarian composer, virtuoso pianist, conductor and teacher of the Romantic period.With a diverse body of work spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era, and his piano works continue to be widely performed and recorded.
He [Liszt] played each note of the melody as if it were a significant poetic word, which effect was heightened in that he used the thumb for each one of these notes, and dropping his hand in a languid manner as he did this.