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The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
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Victorian postcard "The Lost Chord" is a song composed by Arthur Sullivan in 1877 at the bedside of his brother Fred during Fred's last illness. The manuscript is dated 13 January 1877; Fred Sullivan died five days later. The lyric was written as a poem by Adelaide Anne Procter called "A Lost Chord", published in 1860 in The English Woman's ...
George Howell, an amateur Victorian artist, used his letters to his brother as a space to combine his words and his artistic works. [13] Similarly, Beatrix Potter , an author/illustrator, often included pictures in her letters as a means of comfort and relief from the pressures she faced from her family.
The Victorian era is the era of the reign of Queen Victoria. During this period of time, theatre flourished. According to Allardyce Nicoll, author of History of Late Nineteenth Century Drama, during this time theatres became very popular with masses. [1] Theatrical atmosphere was not particularly restricted to certain classes of the society.
In a jazz band, these chord changes are usually played in the key of B ♭ [7] with various chord substitutions.Here is a typical form for the A section with various common substitutions, including bVII 7 in place of the minor iv chord; the addition of a ii–V progression (Fm 7 –B ♭ 7) that briefly tonicizes the IV chord, E ♭; using iii in place of I in bar 7 (the end of the first A ...
The Victorian era saw the introduction and development of many modern sports. [118] Often originating in the public schools, they exemplified new ideals of manliness. [119] Cricket, [120] cycling, croquet, horse-riding, and many water activities are examples of some of the popular sports in the Victorian era. [121]
Post-tonal music theory is the set of theories put forward to describe music written outside of, or 'after', the tonal system of the common practice period.It revolves around the idea of 'emancipating dissonance', that is, freeing the structure of music from the familiar harmonic patterns that are derived from natural overtones.