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Meenakshi Chitharanjan, an Indian classical dancer, teacher and choreographer, is known as an exponent of the Pandanallur style of the classical dance form of Bharatanatyam. [1] She is the founder of Kaladiksha , an institution promoting Bharatanatyam and striving to preserve the Pandanallur tradition .
Indian classical dance, or Shastriya Nritya, is an umbrella term for different regionally-specific Indian classical dance traditions, rooted in predominantly Hindu musical theatre performance, [1] [2] [3] the theory and practice of which can be traced to the Sanskrit text Natya Shastra.
Bantwal Jayaram Acharya (12 October 1957 – 21 October 2024) was an Indian classical dancer, stage performer and Yakshagana artist. He was known for having a transformational impact on the art of traditional dance genre Yakshagana by incorporating an element of humour which he continued for over 50 years.
Sreelakshmy is the founder and Director of Avantika Space for Dance, a platform dedicated to learning, performance and research. [7] She has choreographed dance moves for the Malayalam feature film Kanyaka Talkies and Priyamanasam. Sreelakshmy is a trained professional Psychologist utilises her proficiency in dance and psychological counselling ...
Lakshmi Gopalaswamy is an Indian actress from Karnataka and a classical dancer, qualified in Bharatanatyam. [1] [2] [3] She has mainly acted in Malayalam films, while also appearing in few Kannada and Tamil films. She won the Karnataka State Film Award for Best Actress for her performance in her Kannada film Vidaya.
Kanak Rele (11 June 1937 – 22 February 2023) [1] was an Indian dancer, choreographer, and academic best known as an exponent of Mohiniyattam.She was the founder-director of the Nalanda Dance Research Centre and the founder-principal of the Nalanda Nritya Kala Mahavidyalaya in Mumbai.
Meenakshi Srinivasan (born 11 June 1971) is an Indian classical dancer and choreographer, and an exponent of the Pandanallur style of Bharatnatyam. [1] She trained under Alarmel Valli and is considered among the most promising soloists of the younger generation of dancers in this traditional style.
Balasaraswati was a seventh generation representative of a traditional matrilineal family of temple musicians and dancers (devadasis, [3] who traditionally enjoyed high social status, who have been described as the greatest single repository of the traditional performing arts of music and dance of the southern region of India. Her ancestor ...