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Jesus carrying the cross "Take Up Thy Cross, The Saviour Said" is an American Christian hymn written by Charles W. Everest. It was originally a poem published in 1833 but was later altered to become a hymn. [1] It was then edited by English hymnwriter Sir Henry Baker for inclusion in the Church of England's Hymns Ancient and Modern hymnal. [2]
The Cross of Jesus: Beneath the cross of Jesus: Elizabeth C. Clephane: 159: What a Gathering! On that bright and golden morning when the Son of Man shall come: F.J. Crosby: 164: The King is Coming: Rejoice! Rejoice! Our King is coming: Rian A. Dykes* 170: Waiting for Thy Coming: We are waiting, blessed Saviour: F.J. Crosby: 172: He is coming ...
This is a list of original Roman Catholic hymns. The list does not contain hymns originating from other Christian traditions despite occasional usage in Roman Catholic churches. The list has hymns in Latin and English.
In an article in the Hymn Society Bulletin in 1994 Mervyn Horder, himself a hymn-tune composer, suggested that 'Sullivan almost certainly had a larger hand in St Clement than has been or can ever definitely be, credited to him.' His starting-point was the fact that this tune stands head and shoulders above the quality of Scholefield's other work.
The melody is credited to Dorsey, drawn extensively from the 1844 hymn tune, "Maitland". [1] " Maitland" is often attributed to American composer George N. Allen (1812–1877), but the earliest known source (Plymouth Collection, 1855 [2]) shows that Allen was the author/adapter of the text "Must Jesus bear the cross alone," not the composer of the tune, and the tune itself was printed without ...
And As Moses Lifted Up the Serpent (bass recitative) – text from John 3:14–15; God So Loved the World (chorus or quartet a cappella) – text from John 3:16–17; Litany of the Passion (hymn) Jesus Said, 'Father, Forgive Them' (tenor and male chorus recitative) – text from Luke 23:34; So Thou Liftest Thy Divine Petition (tenor and bass ...
Robert Lowry (March 12, 1826 – 25 November 1899) was an American preacher who became a popular writer of gospel music in the mid-to-late 19th century. His best-known hymns include "Shall We Gather at the River", "Christ Arose!", "How Can I Keep from Singing?" and "Nothing But The Blood Of Jesus".
The last verse of the hymn was written as an imitation of George Herbert's The Temple poem as a tribute by Crossman to Herbert. [3] In the 21st century, the language of the hymn is sometimes updated by hymnal editors, a move which is often lamented by traditional hymnologists who feel that the newer language loses the original meaning and nuance.