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The Emory Hymnal: a collection of sacred hymns and music for use in public worship (1887) [464] Selection of Hymns, for the use of the first M. E. Church, [465] Cape May City [466] The Emory Hymnal: No. 2, sacred hymns and music for use in public worship (1891) [467] Hymnal of the Methodist Episcopal Church (1891) [468]
The New English Hymnal is a hymn book and liturgical source aimed towards the Church of England. First published in 1986, it is a successor to, and published in the same style as, the 1906 English Hymnal. [1] It is published today by SCM Canterbury Press, an imprint of Hymns Ancient and Modern Ltd.
The hymn is most commonly set to the tune "Duke Street", composed by John Hatton, about whom little is known except his place of residence, on Duke Street in St. Helen's. [1] The following setting appears in the modern hymnal "Complete Anglican Hymns Old and New". [5]
Hymns Ancient and Modern is a hymnal in common use within the Church of England, a result of the efforts of the Oxford Movement.The hymnal was first published in 1861. The organization publishing it has now been formed into a charitable trust, Hymns Ancient and Modern Ltd, [1] and As of 2022 it publishes a wide range of hymnals as well as other theological and religious books and magazines ...
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The hymn remains popular in modern compilations, notably appearing in the Carols for Choirs collection. It is normally paired with the tune "St. Fulbert" by Henry John Gauntlett. It has also been set to music as an anthem by Charles Villiers Stanford, and this version is equally in common use in Anglican churches.
The 1938 edition of The Book of Common Praise of the Anglican Church of Canada. The Book of Common Praise [note 4] is the name assigned to the standard authorized Anglican Church of Canada hymnal. The first edition of The Book of Common Praise, containing 795 hymns as well as 139 settings, was published in 1908 and known for its brown binding ...
During the Georgian era, the music of George Frideric Handel was highly significant, with his repertoire of anthems, canticles and hymns, although he never held a church post. [15] Up until the early 19th century, most Anglican church music in England was centred around the cathedrals, where trained choirs would sing choral pieces in worship.