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The student accommodation wing, Bauhaus Dessau building by Walter Gropius (1925–26) The New Objectivity (a translation of the German Neue Sachlichkeit, sometimes also translated as New Sobriety) is a name often given to the Modern architecture that emerged in Europe, primarily German-speaking Europe, in the 1920s and 30s.
The Bauhaus emblem, designed by Oskar Schlemmer, was adopted in 1922. Typography by Herbert Bayer above the entrance to the workshop block of the Bauhaus Dessau, 2005. The Staatliches Bauhaus (German: [ˈʃtaːtlɪçəs ˈbaʊˌhaʊs] ⓘ), commonly known as the Bauhaus (German for 'building house'), was a German art school operational from 1919 to 1933 that combined crafts and the fine arts. [1]
For many critics of high modernism, the Pruitt–Igoe housing project illustrated both the essential unlivability of Bauhaus-inspired box architecture, and the hubris of central planning. Its demolition on July 15, 1972, was the day “modern architecture died”, according to Charles Jencks.
The plans were drafted by Gropius's architectural firm as the Bauhaus did not have its own architecture department until 1927, but the interior fittings were made in the Bauhaus workshops. [14] Gropius was required to incorporate two schools into the building; the Bauhaus design school and a municipal vocational school. [13]
The architecture of Germany has a long, rich and diverse history. ... After this there was a diaspora of masters and students of the Bauhaus across the world, ...
Bauhaus Dessau, also Bauhaus-Building Dessau, is a building-complex in Dessau-Roßlau. It is considered the pinnacle of pre-war modern design in Europe and originated out of the dissolution of the Weimar School and the move by local politicians to reconcile the city's industrial character with its cultural past.
Johannes Itten (11 November 1888 – 25 March 1967) was a Swiss expressionist painter, designer, teacher, writer and theorist associated with the Bauhaus (Staatliches Bauhaus) school. Together with German-American painter Lyonel Feininger and German sculptor Gerhard Marcks , under the direction of German architect Walter Gropius , Itten was ...
Similarly, the Situationists found contemporary architecture both physically and ideologically restrictive, combining with outside cultural influence, effectively creating an undertow, and forcing oneself into a certain system of interaction with their environment: "[C]ities have a psychogeographical relief, with constant currents, fixed points ...