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This list of samples of serif typefaces details standard serif fonts used in printing, ... Class: Modern : Athelas Designer: Veronika Burian, Jose Scaglione :
Computer Modern is a "Didone", or modern serif font, a genre that emerged in the late 18th century as a contrast to the more organic designs that preceded them. Didone fonts have high contrast between thick and thin elements, and their axis of "stress" or thickening is perfectly vertical.
A typeface or "font family" making use of serifs is called a serif typeface (or serifed typeface), and a typeface that does not include them is sans-serif. Some typography sources refer to sans-serif typefaces as "grotesque" (in German , grotesk ) or "Gothic" [ 1 ] (although this often refers to blackletter type as well) and serif typefaces as ...
The vast majority of modern computer fonts use Unicode mappings, ... Batang and Gungsuh, a serif and monospace/gothic font, respectively; both with 20,609 Latin ...
They first appeared in the mid-18th century and share certain features found in both Old Style and Modern faces. Pages in category "Transitional serif typefaces" The following 41 pages are in this category, out of 41 total.
Modern Typography is a 1920s principle that expresses a reaction against what its proponents perceived as a decadence of typography and design emerging from the late 19th century. This amalgam consists of the foundations and overall notions of Design Concept, Typeface, Objective, Model of Vision, and its significance among readers.
Bernhard Modern is a modern style classification serif typeface designed by Lucian Bernhard in 1937 for the American Type Founders (ATF).. Lucian Bernhard's Bernhard Modern typeface was the ATF's response to the many popular old-style engraving faces of the early 20th century.
The classification is known as modern, or Didone. The most famous Didot typefaces were developed in the period 1784–1811. Firmin Didot (1764–1836) cut the letters, and cast them as type in Paris. His brother, Pierre Didot (1760–1853) used the types in printing. His edition of La Henriade by Voltaire in 1818 is considered his masterwork.