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Harner's poem quickly gained traction as a eulogy and was read at funerals in Kansas and Missouri. It was soon reprinted in the Kansas City Times and the Kansas City Bar Bulletin. [1]: 426 [2] Harner earned a degree in industrial journalism and clothing design at Kansas State University. [3] Several of her other poems were published and ...
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John A. Rea wrote about the poem's "alliterative symmetry", citing as examples the second line's "hardest – hue – hold" and the seventh's "dawn – down – day"; he also points out how the "stressed vowel nuclei also contribute strongly to the structure of the poem" since the back round diphthongs bind the lines of the poem's first ...
[4] In this, the man in the poem is trying to show his love to his rose tree, but only seems to have the love unrequited, even though he treats the rose tree like royalty. This echoes the idea of "Human Love" as we often want things we can't have, and become infatuated with things, or idealizing them instead of actually loving them.
Poems of the Fancy: 1807 To the same Flower (second poem) [sequel to "To The Daisy"] 1802 "With little here to do or see" Poems of the Fancy: 1807 To the Daisy (third poem) 1802 "Bright Flower! whose home is everywhere," Poems of the Fancy (1815–32); Poems of Sentiment and Reflection (1837–) 1807 The Green Linnet 1803
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The speaker in the poem concludes by stating that the blooming English buttercups will be brighter than the "gaudy melon-flower" seen growing in Italy. [2] The poem is in two stanzas. The first stanza has an irregular metre consisting of alternating trimeter, tetrameter and pentameter lines and a final trimeter line, with an ABABCCDD rhyming ...
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