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The tone of the uilleann pipes is unlike that of many other forms of bagpipes. They have a different harmonic structure, sounding sweeter and quieter than many other bagpipes, such as the Great Irish warpipes, Great Highland bagpipes or the Italian zampognas. The uilleann pipes are often played indoors, and are almost always played sitting down.
The small drone goes between the blow pipe and the drone slightly towards the chanter. The second variant is found only in Radoviš and differs from the first in that the drone goes at the animal head while the chanter and the blow pipe are inserted at the legs. The small drone goes between the two legs.
Robert Reid was also active in making Union Pipes; the precursor to modern Uilleann pipes. Union pipes early-19th century keyed D-Chanter; by the pipe maker Robert Reid Henry Clough (I) was known to play a Reid set of Union pipes including regulators; surviving parts of this set are now in private hands.
A detail from the Cantigas de Santa Maria showing bagpipes with one chanter and a parallel drone (Spain, 13th century). On this Bulgarian gajda, the chanter is the short gray pipe at the top, while the drone is the long three-section pipe. A detail from a painting by Hieronymus Bosch showing two bagpipers (15th century).
The vibrating element of a bagpipe reed. Reeds can be single or double; generally speaking, chanter reeds are double and drone reeds single. The blade is also known sometimes as a tongue. Blowpipe The pipe through which the bag is inflated. Bombarde A shawm-like instrument traditionally played in duet with the bagpipe in Brittany. Bottom D
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