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'ote'a group dance. The ʻōteʻa (usually written as otea) is a traditional dance from Tahiti characterized by a rapid hip-shaking motion to percussion accompaniment. The dancers, standing in several rows, may be further choreographed to execute different figures (including tamau, varu, otamu, ami, and fa'arapu [1]) while maintaining the hip-shaking.
The group of people performing a haka is referred to as a kapa haka (kapa meaning group or team, and also rank or row). [14] The Māori word haka has cognates in other Polynesian languages, for example: Samoan saʻa (), Tokelauan haka, Rarotongan ʻaka, Hawaiian haʻa, Marquesan haka, meaning 'to be short-legged' or 'dance'; all from Proto-Polynesian saka, from Proto-Malayo-Polynesian sakaŋ ...
Today, the haka they perform is their own, "Kaipahua Kura", meaning 'Red Raider' in the Maori language. Written and choreographed by Seamus Fitzgerald, [6] [7] a special instructor at Brigham Young University-Hawaii and a Manager/Cultural Specialist in the Aotearoa or New Zealand section of the Polynesian Cultural Center in La'ie.
Pages in category "Dances of Polynesia" The following 10 pages are in this category, out of 10 total. This list may not reflect recent changes. F. Fakaseasea;
The Taualuga is a traditional Samoan dance, considered the apex of Samoan performance art forms and the centerpiece of the Culture of Samoa. This dance form has been adopted and adapted throughout western Polynesia, most notably in Samoa, The Kingdom of Tonga, Uvea, Futuna, and Tokelau. [1] The renowned Tongan version is called the tau'olunga.
A fakanau (meaning "spells") [1] is a traditional Tuvaluan male dance, accompanied by singing and rhythmic clapping.. Fakanau singing and dancing are typical of Niutao and Nukufetau islands of Tuvalu, formerly known as the Ellice Islands, a group of nine low-lying coral islands in the central Pacific that are inhabited by Polynesian people.
Dance troupe performing in the Cook Islands. The tāmūrē, or tamouré as popularized in many 1960s recordings, is a dance from Tahiti and the Cook Islands.Usually danced as a group of boys and girls, all dressed in more (the Tahitian grass skirt, however not made of grass but of the fibers from the bark of the pūrau, "hibiscus").
The joy of dancing, so dear to the Polynesian heart, was one of the first to be axed. The famous Pōmare code of 1819 declared the ʻupaʻupa (and tattooing in the same line) to be bad and immoral habitudes, severely to be opposed. The Leewards followed suit soon after. But dancing continued in secret.