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L'Avventura (English: "The Adventure") is a 1960 drama film directed by Michelangelo Antonioni.Developed from a story by Antonioni with co-writers Elio Bartolini and Tonino Guerra, the film is about the disappearance of a young woman (Lea Massari) during a boating trip in the Mediterranean, and the subsequent search for her by her lover (Gabriele Ferzetti) and her best friend (Monica Vitti).
L'Avventura: Michelangelo Antonioni: Gabriele Ferzetti, Monica Vitti, Lea Massari: Drama: Italian-French co-production [6] [7] Appuntamento a Ischia: Mario Mattoli — — [8] Appuntamento in paradiso — — — [citation needed] Austerlitz: Abel Gance: Pierre Mondy, Rossano Brazzi, Claudia Cardinale: Epic: French-Italian-Yugoslavian co ...
La Notte is considered the central film of a trilogy beginning with L'Avventura (1960) and ending with L'Eclisse (1962). [1] [2] [3] It was one of Stanley Kubrick's 10 favorite films and received 4 votes from critics and 6 votes from directors in the 2012 Sight & Sound greatest films poll.
German director Jan-Ole Gerster’s mesmerizing, mostly English-language “Islands” opens with a scene that for many would mark “rock bottom” — reason to check oneself into rehab — as ...
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L'Avventura: Michelangelo Antonioni: Gabriele Ferzetti, Monica Vitti, Lea Massari: Drama: Italian-French co-production [25] [26] La Dolce Vita: Federico Fellini: Marcello Mastroianni, Yvonne Furneaux, Anouk Aimée: Comedy-drama: Italian-French co-production [27] [28] Le farceur: Philippe de Broca: Anouk Aimée, Jean-Pierre Cassel, Geneviève ...
Suicide in plot solution." Revisions earned a B rating, which applied only to prints in the U.S. [10] The Blue Angel (1930), a release of the original German-language version of the film starring Marlene Dietrich. [10] Bullet for Stefano, an Italian import starring Rossano Brazzi [35] Flesh Will Surrender, an Italian import. [35]
The film is considered the last part of a trilogy and is preceded by L'Avventura (1960) and La Notte (1961). [3] [4] [5] L'Eclisse won the Special Jury Prize at the 1962 Cannes Film Festival and was nominated for the Palme d'Or. [6] Described by Martin Scorsese as the boldest film in the trilogy, it is one of the director's more acclaimed works.