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"Diamond Girl" is a song by American soft rock duo Seals and Crofts, released as a single in 1973. It is the title track of their fifth studio album, Diamond Girl . Like their previous top 10 hit " Summer Breeze ", "Diamond Girl" also reached No. 6 on the Billboard Hot 100 , [ 2 ] and No. 4 on the Adult Contemporary chart.
Nice N' Wild, also known as Nice & Wild, was a U.S. freestyle music group that rose to fame in 1986 after their release of "Diamond Girl". [1]Band members included David Torres, Reggie Pierre and Remy Palacios.
Diamond Girl peaked at #4 on the U.S. album charts. [3] Its title track "Diamond Girl" reached #6 on the Billboard Hot 100 chart in the summer and #13 in Canada. The follow-up single "We May Never Pass This Way (Again)" attained the #21 position late in the year (#33 in Canada).
"Diamond Girl" (Seals and Crofts song), 1973 "Diamond Girl" (Ryan Leslie song), 2007 "Diamond Girl", a single released by Nice & Wild in 1986; Diamond Girl, a novel by Diana Palmer; The Diamond Girls, a children's novel by Jacqueline Wilson "Diamond Girl", a song by Thaman S, Silambarasan TR and Suchitra from the 2013 Indian film Baadshah
"Girl, You'll Be a Woman Soon" is a song written by American musician Neil Diamond, whose recording of it on Bang Records reached number 10 on the US pop singles chart in 1967. The song enjoyed a second life when it appeared on the 1994 Pulp Fiction soundtrack , performed by rock band Urge Overkill .
"Diamond Girl" is a song by American R&B record producer and singer-songwriter Ryan Leslie. [1] Released on December 11, 2007, the song serves as the lead single from his self-titled debut album, Ryan Leslie .
"Baby Mama" is a song recorded by American singer Fantasia for her debut studio album Free Yourself (2004). It was written and produced by Vito Colapietro, Neely Dinkins, and Harold Lilly . The song samples from "There Will Never Be Any Peace (Until God Is Seated at the Conference Table)" by American group The Chi-Lites ; thus, Eugene Record ...
Billboard described the single as an "exciting production [which] features bass piano backing and choral support of Diamond's vocal work." [9] Cash Box said that it is a "lively, pulsating chorus-backed romancer with an infectious repeating riff" that is a "sure-fire blockbuster". [10]