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Hara Hara Mahadeva (Sanskrit: हर हर महादेव, romanized: hara hara mahādēva) is a Sanskrit invocation in praise of the Hindu deity Shiva. [1] [2] The invocation consists of two epithets of Shiva, hara and mahadeva. It is generally chanted by adherents during auspicious occasions, such as prayer and entering a Shiva temple. [3]
Hara is an important name that occurs three times in the Anushasanaparvan version of the Shiva sahasranama, where it is translated in different ways each time it occurs, following a commentorial tradition of not repeating an interpretation.
Bengali personal pronouns are somewhat similar to English pronouns, having different words for first, second, and third person, and also for singular and plural (unlike for verbs, below). Bengali pronouns do not differentiate for gender; that is, the same pronoun may be used for "he" or "she".
The Shiva Tandava Stotra(m) (Sanskrit: शिवताण्डवस्तोत्र, romanized: śiva-tāṇḍava-stotra) is a Sanskrit religious hymn dedicated ...
Meaning: I bow before that Sada Shiva Linga, which is the destroyer of desires, which the Devas and the sages worship, which is infinitely compassionate and which subdued the pride of Raavana. Sarva Sugandha Sulepitha Lingam. Buddhi Vivardhana Kaarana Lingam. Siddha Suraasura Vanditha Lingam. Tat Pranamaami Sadaa Shiva Lingam
It is called Siva Panchakshara, or Shiva Panchakshara or simply Panchakshara meaning the "five-syllable" mantra (viz., excluding the Om) and is dedicated to Shiva. This Mantra appears as 'Na' 'Ma' 'Śi' 'Vā' and 'Ya' in the Shri Rudram Chamakam which is a part of the Krishna Yajurveda [ 1 ] and also in the Rudrashtadhyayi which is a part of ...
The "Shri Rudram" hymn from the Yajurveda is dedicated to Rudra and is important in the Shaivite sect. [9] [10] In the Prathama Anuvaka of Namakam (Taittiriya Samhita 4.5), Rudra is revered as Sadasiva (meaning 'mighty Shiva') and Mahadeva. Shuva as Sadashiva is the King of the gods, Paramashiva, in the Siddhanta sect of Shaivism.
The renowned Sanskrit writer Kalidasa (c. 4th–5th century) alludes Ardhanarishvara in invocations of his Raghuvamsa and Malavikagnimitram, and says that Shiva and Shakti are as inseparable as word and meaning. [7] The 9th-century Nayanar saint Manikkavacakar casts Parvati in the role of the supreme devotee of Shiva in his hymns. He alludes to ...