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Opening credits to the television cartoon series Calvin and the Colonel. In a motion picture, television program or video game, the opening credits or opening titles are shown at the very beginning and list the most important members of the production. They are now usually shown as text superimposed on a blank screen or static pictures, or ...
Originally released as Winnie the Pooh: Sing a Song with Pooh Bear, later reissued in the Sing Along Songs series under a new name with new songs. Also released in the UK, but only the original VHS version. Featured at the end of the original release from 1999, Gopher hosts "How to Draw", as he shows you how to draw Pooh's face.
The opening and closing credits feature an orange colorized version of the 1929 Silly Symphony short The Skeleton Dance as well as its own title theme song, sung in the opening and closing credits. The lyrics were written by Galen R. Brandt with music by John Debney.
In a brief sequence set in the newsroom, Mary hugs Lou, Murray and Ted, accidentally crushing Ted's fedora in the process, before straightening it out. This was a scene from the end of the Season 1 episode "Christmas and the Hard-Luck Kid", although the producers eventually re-shot this sequence for use in the opening credits from Season 4 onward.
The Lotus Seven car used in the opening sequences. The opening and closing sequences of the TV series The Prisoner are considered iconic. The music over the opening and closing credits, as broadcast, was composed by Ron Grainer, a composer whose other credits include the theme music for Doctor Who.
A title sequence (also called an opening sequence or intro) is the method by which films or television programmes present their title and key production and cast members, utilizing conceptual visuals and sound (often an opening theme song with visuals, akin to a brief music video). [1]
Closing credits, in a television program, motion picture, or video game, come at the end of a show and list all the cast and crew involved in the production. Almost all television and film productions, however, omit the names of orchestra members from the closing credits, instead citing the name of the orchestra and sometimes not even that.
The use of closing credits in film to list complete production crew and the cast was not firmly established in American film until the late 1960s and early 1970s. Films generally had opening credits only, which consisted of just major cast and crew, although sometimes the names of the cast and the characters they played would be shown at the ...